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Frequently Asked Questions

General Museum Information --

  1. What is the mission of the museum?
  2. How is the National Museum of Health and Medicine different from other museums?
  3. What is the governing body of the museum (board of directors, etc.) and is the museum a private, municipal, state, or federal institution?
  4. How is the museum funded?
  5. Is the museum part of the Smithsonian Institution or the U.S. Army Museum System or in partnership with any other medical museums or health care providers?
  6. What is the make up of the museum's professional staff?
  7. What are the museum's hours?
  8. What is the admission fee?
  9. Where is the museum located and what is its mailing address?
  10. Would it be better to travel via subway and take a cab or a bus, whichever is available, to your museum?
  11. Who visits the museum?
  12. What age groups would find your site most interesting?
  13. How many visitors come to the museum?
  14. Are cameras and sketch pads permitted inside the museum?
  15. Will the museum be open until Walter Reed Army Medical Center (WRAMC) is closed, and what will happen to the museum after WRAMC is closed?

    Museum history --

  16. When did the museum open?
  17. How long was museum on the mall, and when did it move to current location?

    Museum exhibits --

  18. What type of person is going to be the most interested in these exhibits?
  19. Do items have to meet certain criteria in order to be placed on exhibition? If so, what are they?
  20. What is usually the most talked about exhibit by visitors and why?
  21. How long have some of the artifacts been on display - such as the elephantiasis specimens, the giant hairball from the girl's stomach, and the skeleton in the chair?
  22. Do you have traveling exhibits?
  23. Why are the lights inside the museum so dim?
  24. Which of the artifacts relating to famous people are on display?
  25. Do you get complaints from visitors about the specimens you have on display in the exhibition, "From Single Cells…Human Reproduction, Growth and Development"?
  26. Are specimens always marked with the name of the person it was taken from (like Gen. Daniel Sickles and his leg)? Would the museum have records of what person each specimen came from if it was not marked on the exhibit? Would museum staff help someone identify the person, or would that become a medical privacy issue?
  27. Do you have anything currently on display that highlights the museum's connection to military medicine?

    Tours, programs, and facilities -

  28. What kind of guided tours does the museum have?
  29. Does the museum have anything to offer children younger than those in the 5th-grade age group, or are the exhibits just too advanced for younger students?
  30. Will the museum remove or cover up an artifact on display at the request of a teacher who is planning on bringing a school group for a tour?
  31. What kind of educational programs, workshops, or lectures does the museum have?
  32. Does the museum have a book store or gift shop?
  33. Does the museum have space for meetings and receptions?
  34. Does the museum have a snack bar or cafeteria?
  35. Do you offer a forensic pathology lecture and how do I register?
  36. How can I receive a copy of your museum's newsletter, "Flesh and Bones"?

    Museum Collections --

  37. How do you get items for the collections?
  38. What was the first specimen acquired by the museum?
  39. What are in the museum's collections, what do they contain, and how large are they?
  40. Are many of your artifacts not displayed due to lack of space?
  41. What are some of the interesting artifacts in the museum's collection that are not on display?
  42. What items do you have of famous people?
  43. Do you have 20th-century gangster John Dillinger's penis in the collection?
  44. Do you have Benito Mussolini's brain in the museum's collection?
  45. Does the museum have specimens from the famous Battle of the Little Big Horn, otherwise known as Custer's Last Stand?
  46. Does the museum have remains from World War II concentration camps?
  47. Does the museum have the mummy of Andy "Dutch" Kapler?
  48. How many accessions does the museum have each year?
  49. On average, how many objects receive conservation treatment each year?
  50. Who can see the collections in storage?
  51. How many objects from the museum's collections are on outgoing loans?
  52. Is there a collection of fetal anomalies (fetal monsters) available for public viewing?
  53. Many people wonder whether Abraham Lincoln had Marfan's Syndrome. Does the museum permit testing of its artifacts, such as Lincoln's hair and skull fragments?
  54. How can I gain access to my old medical records from when I served in the armed forces or find out any specific information about the military service record and duty of my relative?
  55. Are images from the museum's collections available, and how do I get permission to use them?
  56. Are the collections open to researchers?
  57. How can I obtain a copy of the book that describes the contents of the Billings Microscope collection?
  58. How can I obtain a copy of the museum's 2004 calendar that features microscopes?
  59. Can the museum provide information to me about what I think are old medical instruments and equipment I purchased for display in my home as antiques?
  60. I'd like to donate my body to your museum when I pass away. How can I do this?

    Civil War --

  61. What is the "Medical and Surgical History of the War of the Rebellion" and why is it important?
  62. Was every wounded or killed soldier given a case number, photographed, and documented in the "Medical and Surgical History of the War of the Rebellion" or were only a certain number of soldiers listed, and were they from both the Union and the Confederacy?
  63. How were dead soldiers identified during the Civil War?
  64. Were most of the soldiers photographed naked, to fully show their wounds, and when the photos were displayed back in the late 1870s, were they doctored to be covered with fig leaves painted on?
  65. Where can I purchase replicas of Civil War era medical tools such as an amputation knife, bleeding bowl, stethoscope, ear trumpet, inhaler, and hospital tray?

General Information

1. What is the mission of the museum?

The National Museum of Health and Medicine of the Armed Forces Institute of Pathology inspires interest in and promotes the understanding of medicine -- past, present, and future -- with a special emphasis on tri-service American military medicine. As a National Landmark recognized for its ongoing value to the health of the military and to the nation since 1862, the museum identifies, collects, and preserves important and unique resources to support a broad agenda of innovative exhibits, educational programs, and scientific, historical, and medical research.
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2. How is the National Museum of Health and Medicine different from other museums?

When compared to science centers, art museums, history museums, etc. the National Museum of Health and Medicine is often much older (started in 1862), has a much larger collection (an estimated 24,662, 515 objects), is federally operated (as an element of the Armed Forces Institute of Pathology, a tri-service Army, Navy, and Air Force facility funded through the Office of Health Affairs within the U.S. Department of Defense), and has a broad technical staff (doctorates in history, medical microbiology, anthropology). Moreover, the museum combines major collections (the five are Anatomical, Historical, Otis Historical Archives, Human Developmental Anatomy, and Neuroanatomical) and keeps them related to each other in a health and medical context. The museum is able to give visitors a unique perspective on health and medicine, because it is one of the few places where the public can actually see the effects of disease on the human body. Additionally, it is one of the few places that disease can be seen with the instruments and equipment used to diagnose and/or treat the disease, with case histories of patients afflicted with the disease.
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3. What is the governing body of the museum (board of directors, etc.) and is the museum a private, municipal, state, or federal institution?

The National Museum of Health and Medicine is an element of the Armed Forces Institute of Pathology (AFIP), a tri-service (Army, Navy, and Air Force) agency of the Department of Defense with a threefold mission of consultation, education, and research. Within the AFIP there are 22 subspecialty departments with more than 120 pathologists. The board of the AFIP includes the surgeons general of the Army, Navy, Air Force and Public Health Service.
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4. How is the museum funded?

The museum is partially federally funded through the Office of Health Affairs within the U.S. Department of Defense, as well as from grants, contributions, donations, and in-kind gifts.
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5. Is the museum part of the Smithsonian Institution or the U.S. Army Museum System or in partnership with any other medical museums or health care providers?

The museum is not connected to the Smithsonian Institution, and although the museum is located on the campus of Walter Reed Army Medical Center, the museum is not part of the U.S. Army Museum System. The museum is a member of the National Health Sciences Consortium, a collaborative entity of nine major-market science centers and museums, which includes the Maryland Science Center in Baltimore, the Franklin Institute Science Museum in Philadelphia, the Museum of Science in Boston, the Museum of Science & Industry in Chicago, and the California Science Center in Los Angeles.
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6. What is the make up of the museum's professional staff?

The administration of the museum includes a director, administrator, and staff assistant. In collections there is a senior curator, anatomical collections assistant curator; an archivist, assistant archivist, and archive technician; an historical collections manager and collections specialist; a human developmental anatomy center imaging specialist and imaging technician; and a neuroanatomical collection curator and project technician. There is also a public affairs officer, public affairs specialist, public programs manager, tour program manager, facilities manager, three visitor services representatives and an exhibit specialist. For a complete listing of the museum's staff as well as contact information, go to the Staff section.
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7. What are the museum's hours?

The museum is open 10 a.m. to 5:30 p.m. daily (closed December 25). More...
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8. What is the admission fee?

Admission is free, but contributions may be placed in a box located behind the information desk in the museum's lobby. Although the museum does not charge a fee for any of its tours, a donation is always greatly appreciated and when offered is often tied to the number of visitors on the tour and how long the tour takes. Groups have allocated $5-$10 per participant for a docent-led tour. More...
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9. Where is the museum located and what is its mailing address?

The museum is located five miles north of the White House in northwest Washington D.C. on the campus of Walter Reed Army Medical Center, which is bordered by Georgia Avenue, Aspen Street, 16th Street, Alaska Avenue, 14th Street, and Fern Street. Although there are several gates around the campus, visitors to the museum may only enter the campus through the Georgia Avenue and Elder Street gate. If you drive onto the campus, your car may be stopped for inspection. Due to a heightened state of security, adult visitors are required to present a photo ID and sign in at the front desk of the museum. For the safety of everyone, backpacks, bags and camcorders are prohibited inside the museum. The museum's mailing address is 6825 16th Street, NW, Bldg. 54, Washington, DC 20306-6000. For complete directions, look at our directions page.
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10. Would it be better to travel via subway and take a cab or a bus, whichever is available, to your museum?

The museum is a short cab or bus ride from the Silver Spring or Takoma Park stops on Metrorail's Red Line. From Silver Spring Metro, take Bus 70 or 71, S2 or S4. From Takoma Park Metro take Bus 52 or 54, or K2. However, we would suggest that if you have a car you drive over, as parking is always free here.
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11. Who visits the museum?

Visitors include military personnel, both active and retired; physicians, nurses, paramedics, and other medical professionals; tourists from out of the area; residents of the Washington, D.C., northern Virginia and southern Maryland metropolitan area; lower, middle, high school, and college students on field trips; Civil War buffs, families with children; and researchers, scholars, scientists, and authors.
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12. What age groups would find your site most interesting?

Elementary school, middle school, and high school aged students would find the museums of interest, as well as adults.
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13. How many visitors come to the museum?

We average 50,000-55,000 annual visitors, but note that the museum reaches many more people through strong outreach and teaching programs. Also, more than 325 stories and newsbrief items are printed annually in local, national, and international publications with a combined circulation of more than 25 million. The museum's web site averages more than 16,000 hits per day and an average of more than 1,800 page views per day.
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14. Are cameras and sketch pads permitted inside the museum?

Yes. Photographers may use camera equipment to take photos or digital images inside the museum, but use of a flash or other artificial lightning is prohibited. Camcorders are prohibited. Artists are permitted to use a sketch pad with no restrictions.

Tripods may be used by photographers and easels may be used by artists as long as the equipment does not obstruct any entrances or exits to the public areas, but a visitor services representative at the museum's front desk should be alerted to ensure that the equipment is properly placed in the desired location.
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15. Will the museum be open until Walter Reed Army Medical Center (WRAMC) is closed, and what will happen to the museum after WRAMC is closed?

The museum is an element of the Armed Forces Institute of Pathology (AFIP), a tri-service (Army, Navy, and Air Force) agency of the Department of Defense. The museum is attached to the AFIP's main facility, which is one of 16 tenant facilities located on the campus of Walter Reed Army Medical Center (WRAMC) in Washington, D.C. The 2005 Base Realignment and Closure Commission (BRAC) held hearings and voted to close WRAMC. Chapter VIII, Section 169 of the bill, also approved by BRAC, states that the museum will not be “disestablished.” The recommendations made by BRAC became law in November 2005. The museum will remain open as many of WRAMC’s activities and the museum are moved over the next six years to a new Walter Reed National Military Medical Center at Bethesda, Md. to be created on the site of the current National Naval Medical Center.
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Museum History

16. When did the museum open?

The museum was established on May 21, 1862 when U.S. Army Brig. Gen. William Alexander Hammond, the U.S. Army Surgeon General, issued orders that directed all Union Army medical officers "to collect, and to forward to the office of the Surgeon General all specimens of morbid anatomy, surgical or medical, which may be regarded as valuable; together with projectiles and foreign bodies removed, and such other matters as may prove of interest in the study of military medicine or surgery." More...
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17. Where has the museum been located, how long was it on the mall, when did it move to its current location, and what other names has it been called?

The museum has had many homes and names in downtown Washington, D.C.:

  1. The Army Medical Museum's first location was in the Office of the Army Surgeon General, located on the second floor rear of the Riggs Bank Building at the corner of President Place (now Pennsylvania Avenue) and 15th St. NW, Washington, D.C. While inside this building the museum grew from the top of the first curator's desk to some shelves put up for his use. (Aug. 1,1862 - Dec. 31, 1862)
  2. The museum moved to 180 Pennsylvania Ave., NW, now numbered 1719-1721. While at this site the museum issued its first catalog, but new and larger quarters were needed as increasing numbers of specimens arrived from the hospitals and the field. (Jan. 1, 1863 - Aug. 24, 1863)
  3. A building was rented that belonged to Washington philanthropist W.W. Corcoran at 1325 H Street, NW, between 13 and 14th Streets opposite the New York Presbyterian Church. The so-called "Corcoran School House" was variously described in documents as a "mechanics library," the "Library Building occupied by Miss Middleton's School," and as the "Art Gallery Building." It was renovated at a cost of $2,000 and rented for $1,000 annually. (Aug. 25, 1863 - Dec. 21, 1866)
  4. The museum's fourth move was to the Ford's Theater building at 511 10th St., NW, which was closed as a theater immediately after the assassination of President Lincoln and had been in the possession of the government since July 8, 1865. An Act of Congress on April 6, 1866 provided for the purchase of the building "for the deposit and safekeeping of documentary papers relative to the soldiers of the army of the United States and of the Museum of the Medical and Surgical Department of the Army." It was at this location that the museum adopted its first visiting rules, including guidelines that visitors "deposit canes, umbrellas or bundles at the door with an orderly…" (Dec. 22, 1866 - Nov. 8, 1887)
  5. In his annual report for 1880, the Surgeon General called attention to the "overcrowded and unsafe condition," of the Ford's Theater building, noting that the museum was confined to the crowded and cluttered third floor and that the walls were so weak and so much out of plumb as to threaten imminent collapse. On March 2, 1885 President Arthur signed a bill appropriating $200,000 for the construction of a new brick and metal building in the vicinity of the Smithsonian. The museum moved from November 1887 until Feb. 15, 1888 into its fifth home, the "Old Red Brick" on the north side of B. Street, (now Independence Avenue) and 7th St. at the site of the current Hirshhorn Museum on the Mall. (1887-1947)
  6. A committee of the National Research Council charged by the Army Surgeon General with investigating the adequacy of the museum's facilities, reported that the "Old Red Brick" was now "antiquated, overcrowded, (and) obviously cannot be modernized." The museum was "temporarily" moved into its sixth home, Chase Hall, a former barracks for U.S. Coast Guard women reservists, across Independence Avenue from its then location. Material in storage space being used on Main Avenue and in a warehouse on Columbia Pike in Virginia was also relocated into Chase Hall. Additional space for the museum was secured 18 months later in another building, Tampa Hall, shared with other government agencies on Independence Avenue. The annual number of visitors to the museum at this location reached a high of 587,000. (1947-1960)

    In 1946 the museum became a division of the new Army Institute of Pathology (AIP), which became the Armed Forces Institute of Pathology (AFIP) in 1949. The museum's library and part of its archives were transferred to the National Library of Medicine when it was created in 1956. The Army Medical Museum became the Medical Museum of the AFIP in 1949.

  7. Because Chase Hall fell squarely within the area of the Southwest Washington Urban Renewal Project, it was scheduled for demolition in 1961.So, the museum's seventh location was a move into temporary quarters shared with other federal agencies in a building designated as "Temp S" on Jefferson Drive between Sixth and Seventh Streets, SW. (1960-1962)
  8. For the museum's eighth location, the museum moved from the temporary building back into the "Old Red Brick" it had previously occupied. (1962-1971)
  9. The museum moved to its ninth and current location in 1971, closed in 1973 for the military medical school USUHS to use the space, became the Armed Forces Medical Museum in 1974, and reopened in 1976. In 1989, the museum changed its name to the National Museum of Health and Medicine. (1971-present)

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Museum Exhibits

18. What type of person is going to be the most interested in these exhibits?

Anyone who has an interest in medicine, has a curiosity about the human body or the use of medical technology, or is interested in their own health or the health of a friend or family member would find the museum of interest.
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19. Do items have to meet certain criteria in order to be placed on exhibition? If so, what are they?

They need to be stable items that will not be damaged by being on exhibit. They also need to fit into the story of the exhibit. They need to make a certain point or show a certain aspect of the issues being examined in the exhibit.
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20. What is usually the most talked about exhibit by visitors and why?

Although we don't have a perfect way to answer this question, visitors often comment about the specimens on display and are especially intrigued by the fact that they are all "real." Of the specific specimens mentioned, the fetal specimens are often mentioned, as is the hairball, elephantiasis leg, the Civil War specimens, and Lincoln artifacts. A visitor's survey found that visitors spent the most time in the "Human Body, Human Being" exhibit, followed by "To Bind Up the Nation's Wounds: Medicine During the Civil War."
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21. How long have some of the artifacts been on display - such as the elephantiasis specimens, the giant hairball from the girl's stomach, and the skeleton in the chair?

This trichobezoar, or hairball, is one of three in the museum's collections. All were successfully removed during surgery from the stomach of 12-year-old girls who from the age of 6 suffered from trichophagia, an emotional disorder causing young girls to eat their hair. (M-906106)As with many museum exhibits, objects go on and off display depending on the topics to be addressed in the exhibits, and the focus of the curators creating the displays. We don't have information from the old records that indicate when things were on exhibit, but the specimens in question have been in the museum's collection for the following time periods:

hairball: received by the museum in the 1970s.

Many of the more well-known pieces (Lincoln bone fragments, Dan Sickles's leg, etc.) have been on exhibit since they were acquired.

Peter Cluckey's skeleton on display in the museum.Peter Cluckey was born in 1882, enlisted in the Army at age 17 just after the Spanish-American War, retired from the service after 3 years, and rejoined in 1904. Two months after his second enlistment he experienced joint pain and stiffness after a horseback mounted drill held in cold rain. After several medical examinations he was diagnosed with "rheumatism chronic, articular, affecting both hips, knees, and ankle joints, and the right elbow." Over the next 20 years his condition worsened to the point where every joint in his body became fused. Cluckey was moved into a sitting position so that he could be placed in a chair or on his side in bed to sleep. His front teeth were removed so that he could be fed soft foods. In his will, Cluckey donated his body to the museum and his skeleton has been on display seated in a wooden chair in the museum since his death in 1925.

This elephantiasis leg was amputated from a 24-year-old Buffalo, N.Y. man in 1894.elephantiasis leg: received by the museum in the late 19th century.
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22. Do you have traveling exhibits?

The museum loans objects to other museums for their exhibits, which can be reviewed on our Loans page, but currently has no plans to produce a traveling exhibit. We do, however, occasionally accept traveling exhibits for display in our museum.
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23. Why are the lights inside the museum so dim?

The lights are kept low in order to preserve the artifacts for future generations. Visitors are asked to help the museum conserve the artifacts by not using a flash when taking photos in the museum's galleries.
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24. Which of the artifacts relating to famous people are on display?

Paul Revere's dental tools, the leg bones of Dan Sickles, and the Lincoln artifacts are currently on exhibit. You can visit the museum at anytime to see these specimens.

More about the Collections.

and more on Civil War medicine (including information on Sickles and Lincoln).
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25. Do you get complaints from visitors about the specimens you have on display in the exhibition, "From a Single Cell…Human Reproduction, Growth and Development"?

The museum has one of the world's largest collections of fluid-preserved and other human specimens. Some of these are currently exhibited; the remainder is available to researchers committed to understanding human development and disease. We at the museum agree with the Code of Ethics of the International Council of Museums that the interpretation and exhibition of human remains and other sensitive material must be performed with "tact and respect." Visitor surveys commissioned by the museum demonstrate that members of the general public consider the display of human tissue -- including pathological and fetal -- to be acceptable and appropriate. The issue is not the display, but the educational context for their display. As a professional, scientific institution it is our duty to help enhance and shape the natural curiosity of visitors into a unique and inspirational learning experience. We believe we are achieving this goal, and the daily comments of those who learn in our institution -- scientists, teachers, adults and children from all over -- support this.
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26. Are specimens always marked with the name of the person it was taken from (like Gen. Daniel Sickles and his leg)? Would the museum have records of what person each specimen came from if it was not marked on the exhibit? Would museum staff help someone identify the person, or would that become a medical privacy issue?

Ideally, the museum would have patient information for all of its anatomical specimens, because they were collected as documented pathological conditions. Some specimens, however, were contributed with little or no documentation, and, in some cases, documentation may have been completely lost over the years. So we do not know the patient name for every specimen in the collection. Not all of the specimens currently on display are identified by name. Essentially, this has been a curatorial decision based on whether or not patient information contributes to the goals of the exhibit. At this time, there is no right to privacy after death, so there would not be a problem with identifying obviously deceased individuals.
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27. Do you have anything currently on display that highlights the museum's connection to military medicine?

In addition to our permanent exhibition, "To Bind Up the Nation's Wounds: Medicine During the Civil War," the museum also offers a Korean War exhibit, "Blood, Sweat, and Saline: Combat Medicine in the Korean Conflict," which features surgical instruments used in a Mobile Army Surgical Hospital and an artificial kidney machine that replaced one sent to Korea for use in the field. The exhibit makes the story of medicine during the Korean War come to life through photographs and the personal recollections of medics, patients, and military personnel. The exhibit is 500 square feet and contains 48 artifacts and 6 pathological specimens. It is running indefinitely.

More:
   
"To Bind Up the Nation's Wounds: Medicine During the Civil War"
   "Blood, Sweat, and Saline: Combat Medicine in the Korean Conflict"

The museum's closed exhibitions:
   "American Angels of Mercy: Dr. Anita Newcomb McGee's Pictorial Record of the Russo-Japanese War, 1904"
   "The Cost of a Splendid Little War"
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Tours, programs, and facilities -

28. What kind of guided tours does the museum have?

Docent-guided tours are available for students 5th grade and older with reservations needed four to six weeks in advance. The museum requires a minimum of one adult chaperone for every ten students. There is no limit placed on the size of groups having unguided tours and even though no reservation is required it is recommended. About 60 to 90 minutes should be allowed for tours, and it is recommended that another 30 minutes be allowed for students to explore the computer interactives and additional exhibits not covered on the tour.

Also, docent led tours are offered to walk-in visitors at 1 p.m. on the second and fourth Saturday of each month. The tours highlight the exhibition, "To Bind Up the Nation's Wounds: Medicine During the Civil War." Visitors receive the opportunity to experience Civil War medicine through the eyes of battlefield surgeons and the sick and wounded Union and Confederate personnel, as well learn about the state of medicine during this time.

A list of the museum's tours can be seen in our Tour Section.
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29. Does the museum have anything to offer children younger than those in the 5th-grade age group, or are the tours and exhibits just too advanced for younger students?

The museum offers tours to grades 5 and up because the tours are designed to address curriculum elements for those ages. Groups of younger students could still learn a great deal at the museum. The museum offers several programs throughout the year that students in the 4th grade or younger might enjoy. For example, the museum's Halloween program, "The Truth Behind the Legends," provides opportunities for visitors to hear the reality behind the vampire legends and assume the roles of forensic anthropologists identifying human remains. The museum's web site is a good way to keep abreast of our special events and programs. A listing of the museum's events can be seen in the Events Section.

Regarding the exhibits, it is important to remember that the museum has human remains on display, and these artifacts are on display in order to educate visitors about what happens when disease occurs in the body. Having a guided tour helps put these artifacts into the proper context, but parents and teachers can also help do this. For more information, please call 202-782-2673 to discuss any concerns and can help develop a program to best fit a younger age group.
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30. Will the museum remove or cover up an artifact on display at the request of a teacher who is planning on bringing a school group for a tour?

No. The museum will not accommodate any request to remove or cover up an artifact or rope off areas, so teachers of younger students should preview the museum before scheduling a tour to determine the appropriateness of a visit.
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31. What kind of educational programs, workshops, or lectures does the museum have?

As a follow-up to a guided tour or just on its own, a Discovery Sheet encourages students to take a closer look at museum objects and exhibits. Written at the high school level, these sheets help students explore museum highlights. Upon request, the museum will supply an original for duplication to hand out as is or for use as a template to create a modified version.

The museum also offers free health screenings from 11 a.m. to 2 p.m. the first Saturday of every month as part of its continuing "National Health Awareness Kickoff" series of programs to explore and identify health awareness issues. Medical professionals are on site to provide in-depth information about a different topic each month. There are also screening areas to have body fat analysis, blood pressure, blood sugar, and cholesterol checked.

The museum also offers lectures, movie screenings, teacher training, and special event programs throughout the year to supplement the museum's exhibitions.

A listing of the museum's events can be seen in the Events Section.
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32. Does the museum have a book store or gift shop?

Gift ShopThe museum has a bookstore/gift shop that is open daily from 10 a.m. to 5:30 p.m. Among items on sale are a wide variety of health and medicine-related products, including adult and children's apparel, books, posters, collectibles, and jewelry.

Also, the museum is an element of the Armed Forces Institute of Pathology, which operates a Publications Department through its civilian component, the American Registry of Pathology. This can be accessed online at https://www3.afip.org/cgi-bin/bookstore.cgi.
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33. Does the museum have space for meetings and receptions?

Yes, contact the museum's Facilities and Special Events Manager, at 202-782-2200. He'll be able to help you. More information is available on our Facility Rental page.
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34. Does the museum have a snack bar or cafeteria?

No, the museum does not have a dining facility, but there is a Burger King, Subway and Dunkin Donuts on the campus of Walter Reed Army Medical Center, where the museum is located. The hospital cafeteria on the third floor of Building 2 is also open to the public, as is Walt’s Express, located across from the entrance to the cafeteria, a self-serve operation that provides a quick meal of sandwiches, salads, pizza, hot dogs and beverages wrapped and ready to go. There is also a small restaurant inside the hotel on campus – The Mologne House (202-726-8700). The museum’s visitor services representatives at the front desk can guide you to these establishments.
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35. Do you offer a forensic anthropology lecture and how do I register?

The annual forensic anthropology course is held during five days in May at the Uniformed Services University of the Health Sciences in Bethesda, Maryland. The course fills up quickly, so if you are interested in attending the next course please contact:

Department of Medical Education
Armed Forces Institute of Pathology
Washington, DC 20306-6000
www.afip.org/Departments/edu/index.html

Toll Free Tel: (800) 577-3749 (within the U.S.)
International Fax: (877) 891-3482
Fax: (202) 782-5020
Toll Free Fax: (800) 441-0094 (within the U.S.)
DSN: 662-2637
E-mail: came@afip.osd.mil

If you prefer to register by mail, you may print out a form and mail it with credit card information or your check payable to:

American Registry of Pathology
to Department of Medical Education, AFIP
6825 16th St. NW Room G124b
Washington, DC 20306-6000.

All participants are provided a letter of attendance at the completion of the course. This document is acceptable by the IRS, AMA, and state medical societies as proof of attendance at the course.
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36. How can I receive a copy of your museum's newsletter, "Flesh and Bones"?

Make your request by sending an e-mail with your name and mailing address to nmhminfo@afip.osd.mil. Please allow 4-6 weeks for processing. There is no charge, but donations are gratefully accepted and may be made by sending a check drawn on U.S. funds made payable to "National Museum of Health and Medicine - Registry." Out-of-print copies of the newsletter can be accessed online by clicking here.
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Museum Collections -

37. How do you get items for the collections?

The museum is dedicated to preserving, collecting, and interpreting the objects, specimens, photographs and documents chronicling the history and practice of medicine over the centuries. The museum's collecting agenda is focused not just with an eye on the past, but also on the future -- with an especially dynamic effort made in the areas of contemporary medicine and the history of military medicine and pathology. The museum's first curator, John Brinton, visited mid-Atlantic battlefields and solicited contributions from doctors throughout the Union Army. During and after the war, museum staff took pictures of wounded soldiers showing effects of gunshot wounds as well as results of amputations and other surgical procedures. The information collected was compiled into six volumes of "The Medical and Surgical History of the War of the Rebellion," published between 1870 and 1883.

In terms of anatomical items, most have been in the museum's collections for years. Many of the more recent items were obtained from medical collections that were being discarded. Large research collections have been donated by universities or other institutions, such as St. Elizabeth's Hospital. For exhibits, if items are needed that are not in the collections, they are borrowed from other museums for the duration of the exhibit.

While many items today are accessioned from the U.S. Armed Forces, private donations and bequests of artifacts to the museum are also encouraged, but may only be made after consultation with a museum curator, collections manager, or archivist. The museum is especially interested in the history of military medicine and pathology.

The collecting policy for the museum's historical collections can be reviewed HERE.
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38. What was the first specimen acquired by the museum?

The museum's first curator, John Hill Brinton (formerly Brigade Surgeon with the Army of the Mississippi), recalled nearly 35 years later that "the beginning of the museum in August 1862 was very modest, consisting of three dried and varnished specimens placed on the little shelf above the ink stand on the desk…" The specimen listed as Item No. 1 in the first "Catalogue of the Surgical Section of the Army Medical Museum" published in January 1863 was the head and 2 inches of the shaft of the right humerus, removed from Private R.B.M. of the 7th Michigan by Acting Assistant Surgeon D.N. Rankin on July 19, 1862 in Washington, D.C. The soldier had been injured on June 30, 1862 in White Oak Swamp, Va. and was able to return to his home nearly healed in October 1862.
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39. What are in the museum's collections, what do they contain, and how large are they?

The museum's collections represent archival materials, anatomical and pathological specimens, medical instruments and artifacts, and microscope slide-based medical research collections. The collections focus particularly on the history and practice of American medicine, military medicine, and current medical research issues. There are five major collections in the museum, formerly known as the Armed Forces Medical Museum and before that known as the Army Medical Museum. The museum estimates that it maintains 24,662,515 objects.

For more about this, look at Collections.

A. The museum's Anatomical Collections hold human and veterinary specimens of historical and pathological interest. It has more than 5,000 pathological skeletal specimens and about 8,000 gross pathology fluid-preserved specimens documenting medical cases of disease and injury.

Collections within Anatomical Collections includes:

  1. The Civil War Collection - this contains nearly 2,000 skeletal specimens collected from U.S. servicemen during the American Civil War. Because this collecting effort was part of a military medical study, the museum also has accompanying documentation for each specimen. This documentation includes the name of the injured soldier, his regiment, the battle he was injured in, and some details concerning his medical treatment.
  2. The LaGarde collection- is a seminal collection of human bone specimens documenting the effects of gunshot wounds using military weapons of the early 20th century. The series documents the work of Capt. Louis A. LaGarde using a then-experimental .30-caliber Springfield rifle and a standard .45-caliber Springfield, and also the effects of steel-jacketed bullets fired from newly developed small-caliber rifles.
  3. The New York City Medical Examiners Collection - this contains skeletal and fluid-preserved specimens that were collected by pathologists in the New York City Medical Examiner's office. These specimens were collected to document the effects of gunshot wound, blunt trauma, accidental trauma, and disease on the human body.
  4. Walton Family Cemetery - the museum has a number of specimens from this historic New England cemetery. Analysis of the skeletal material suggests that one of the individuals likely suffered from tuberculosis. The archaeological context of the burial suggests that after the death the body was treated according to an unusual New England folklore to prevent the spread of the disease they called "consumption." More about this: users.net1plus.com/vyrdolak/NEfolkbelief.htm.

More about Anatomical Collections.

B. The museum's Historical Collections hold medical instrumentation, are extensive, and include the Billings microscope collection and microscopic slides. Based on the museum's history as a military institution, many of the artifacts in the collection relate to military medicine because they were used or purchased by the U.S. Army. The collection includes medical instruments used in all major conflicts that the U.S. Armed Forces have been involved in from the American Revolution to the Persian Gulf War. The collection also includes many examples of captured medical equipment and a selection of foreign medical equipment donated to the museum around 1870. In the most recent computerized inventory of stored artifacts there were 15,838 items.

Collections within Historical Collections include:

  1. General Surgery Collection -- (17 percent of the collection) includes surgical instruments dating from the American Revolution to the present. The collection of late 19th-century surgical instruments is especially rich due to the purchase of instruments by the Office of the Surgeon General for deposit in the Army Medical Museum. The instruments cover most of the surgical specialties including gynecological surgery. One specialty, orthopedics, makes up approximately 3 percent of the entire historical collection.
  2. Numismatics -- (17 percent of the collection) includes more than 3,000 coins, tokens, medals, and insignia commemorating medical themes and important physicians. The coins in the collection honor events ranging from "Administering the Enema" dating from the 17th century, to a medallion struck for the Yellow Fever Commission and presented to Walter Reed in 1929.
  3. Billings Microscope Collection -- (12 percent of the collection) is the largest and most comprehensive collection of microscopes in the world and the only collection in the museum with a published catalog. One of the earliest microscopes in the collection is the Robert Hooke microscope, circa 1665, which was used by the author of "Micrographia," the first publication of observations made through a microscope. Representatives of modern microscopical technology are added to the collection as microscopes used by AFIP are being turned in to the museum. The collection also includes microscope accessories, microtomes, and histological preparations.
  4. Diagnostic Collection - (10 percent of the collection) includes a diverse selection of devices developed to assist the physician in determining illness. This category includes, but is not limited to, cardiovascular diagnosis (3 percent of the entire historical collection), ophthalmologic diagnosis (3 percent of the entire historical collection), and endoscopy (1 percent of the entire historical collection). Highlights include a small, but growing collection of electromyography instruments, being collected with the assistance of the American Association of Electrodiagnostic Medicine.
  5. Anatomical Models -- (6 percent of the collection) includes a wide range of models depicting anatomical structures, surgical procedures, and pathological lesions. Most of the models date from the 1890s on, but are in a wide variety of media, ranging from plaster of Paris to paper mache to wax. Many of the models depict actual cases and case histories are often found on the models themselves. Highlights of the collection include models depicting plastic surgery performed on soldiers disfigured by war wounds during the Civil War, the First World War, the Second World War, and the Vietnam War.
  6. Medical Imaging Collection -- (1 percent of the collection) includes a wide range of machines ranging from a 1916 vintage fluoroscope to a Korean War era field X-ray machine. The collection also includes a number of X-ray tubes beginning with a Crooke's X-ray tube, circa 1895, to an X-ray tube from a 1940 General Electric KX-11. Later advances in the field are documented by the collection of electron microscopes, an ultrasound machine and an early Nuclear Magnetic Resonance Imaging magnet.

More about Historical Collections.

C. The museum's Otis Historical Archives holds manuscripts, documents, archives, films, prints, slides, paintings, photographs, illustrations, and institutional records related to health and medicine. Material includes the records of the Army Medical Museum and the Armed Forces Institute of Pathology, but all material is not necessarily institutionally related. There is a small reference library with journals and monographs. The archival collections consist of more than 400 collections that are about 3,000 linear feet and if laid end to end would stretch for over a mile. Of this, there are about 1,000 films and about 300,000 photographs in all media dating from the 1850s.The collections are strongest in the late 19th and early 20th century periods.

More about Otis Historical Archives

D. The museum's Human Developmental Anatomy Center contains material on the history of embryology, maintaining and archiving the largest collection of human and comparative developmental material in the United States.

Collections within the Human Developmental Anatomy Center include:

  1. Arey-Dapena Pediatric Collection - is a set of more than 7,000 lantern slides representing a wide variety of pathologies. Both gross and histological images are represented. A database of 2,000 of the "best" cases as defined by Dr. Molly Dapena is available, searchable by organ type or pathology.
  2. Carnegie Collection of Embryology - is a collection with a primary focus on normal development in the first eight weeks. Collateral materials include photographs, plaster and acetate models, reprints and curatorial information.
  3. Cornell Human and Comparative Embryology Collection - is a collection of embryos from the Cornell School of Veterinary Medicine Embryological Collection. It includes human, rat, mouse and guinea pig embryos.
  4. Davis Orthopedic Development Collection - is a large collection of glass slides charting bone growth and development in the human. Slides are grouped by structure starting with the head and moving down through the torso and out the extremities.
  5. Elizabeth Mapelsden Ramsey Collection - is papers, documents, and artifacts from Elizabeth Ramsey relating to her research and publications on placental development. She was a former curator of the Carnegie Collection, researcher, lecturer, and teacher.
  6. George Sedgewick Minot Embryological Collection - consists of embryos from the Harvard School of Medicine. There are drawings and photographs of the embryos, as well as a large number of reprints on embryology and related topics collected by Charles S. Minot.
  7. Gaenssler Pulmonary Pathology Collection - is a collection of radiographic images and case histories of lung diseases, primarily asbestoses. A computerized database searchable by case or disease is available.
  8. Hooker-Humphrey Collection - is originally from the University of Chicago, and was given to HDAC by the University of Alabama. This collection of human and comparative material is stained to highlight nervous system development. Sizes of specimens range from 50mm to 250mm.

More about the Human Developmental Anatomy Center.

E. The museum's Neuroanatomical Collections, established in 1993 with the acquisition of the Yakovlev-Haleem Collection, is a repository of research and educational materials that focus on the study of the brain and consists of nine different collections with approximately 37,000 specimens. The collections, together with their written documentation and a growing database, are available to qualified researchers, evaluated on a case-by-case basis.

Collections within Neuroanatomical Collections include:

  1. Yakovlev-Haleem Collection - (1,570 specimens) is a collection of normal and pathological anatomy showing development of the human brain and comparative mammals that is primarily whole-brain serial sections mounted on slides. Also included are tissue blocks of fetal and neonatal organs. It was built by Dr. Paul Ivan Yakovlev (1894-1983), a neurologist at several hospitals and Harvard Medical School, who began the collection in 1930 at Monson State Hospital.
  2. Blackburn-Neumann Collection - (15,000 specimens) is a collection of normal and pathological anatomy of the human brain consisting of wet tissue brain specimens with autopsy files, microscope slides, and paraffin blocks. The cases document pre-antibiotic infectious diseases, schizophrenia and mental disorders treated by electroshock, Metrazol, insulin shock, and lobotomy. It was started by Dr. Isaac Wright Blackburn at St. Elizabeth's Hospital, a mental institution in Washington D.C., and was transferred to the museum in 1993.
  3. Lindenberg Collection - (15,000 specimens) is a forensic neuropathology collection that includes clinical and laboratory records, glass slides, and paraffin blocks documenting cases of forensic pathology from the Office of the Maryland State Medical Examiner. It was founded by Dr. Richard Lindenberg and transferred to the museum in 1993.
  4. Rubinstein Collection - (4,000 specimens) is a human brain tumor collection that includes slides, paraffin blocks, photographs and records documenting brain tumors. It was founded by Dr. L.J. Rubinstein and transferred to the museum from the University of Virginia in 1991.
  5. Meyer Collection - (535 specimens) is a comparative mammalian brain collection, including glass slides and documentation. It was begun by Dr. Adolph Meyer, a neuroscientist at Johns Hopkins School of Medicine and was transferred to the museum in 1995.
  6. Lockard Collection - (29 specimens) is a comparative mammalian brain collection of serially sectioned comparative neuroanatomy material. Each specimen is embedded in paraffin, stained, and placed on glass slides. The collection consists of 29 boxes of glass slides of fox, ferret and cat. Dr. Isabel Lockard developed the collection at the Medical University of South Carolina in the Department of Cell Biology and Anatomy and it was transferred to the museum in 1995. The museum's Otis Historical Archives has Dr. Lockard's reprint collection.
  7. Pubols Collection - description coming soon.
  8. Welker Collection - (409 specimens) is a comparative mammalian brain collection of serially sectioned comparative mammalian brains that are stained and mounted on glass slides, accompanied by documentation. It was created by Dr. Wally Welker at the University of Wisconsin-Madison. This collection has been partially transferred to the museum. It is accessible via the Internet at www.neurophys.wisc.edu/brain/.
  9. Johnson Collection - (156 specimens) is a comparative mammalian brain collection of serially sectioned comparative mammalian brains that are stained and mounted on glass slides accompanied by documentation. This collection has an emphasis on marsupial mammals. It was created by Dr. John I. Johnson of the Department of Anatomy at Michigan State University. The future home of the Johnson collection will be the museum. It is accessible via the Internet at: www.msu.edu/user/brains/.

More about the Neuroanatomical Collections.
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40. Are many of your artifacts not displayed due to lack of space?

While less than 1 percent of the museum's collections is on display, it is not because we have less display space than when we were previously located on The Mall. Our museum has a public display area that is equivalent to or larger than many other museums and a ratio of objects on display to objects that are in storage that is typical for a museum of our age (founded in 1862) and scope of size (we have five major collections and an estimated 24,662,515 objects.) In fact, the number of objects on display depends on the topics to be addressed in the exhibits, and go on and off display accordingly.
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41. What are some of the interesting artifacts in the museum's collection that are not on display?

The list of artifacts not on display is constantly changing, because artifacts are placed on display or taken off display depending on the need to use them in exhibits that change over time. Some of the interesting artifacts not currently on display are:

John Wilkes Booth's 3rd, 4th and 5th Cervical (Neck) Vertebrae


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42. What items do you have of famous people?

Paul Revere used these dental extractors for tooth extraction while practicing dentistry in Boston, Mass. from 1768 to 1775. He is also credited with performing the first recorded use of dental identification in forensic medicine because he was able to identify wires that had been used to install teeth in a former patient, Maj. Gen. Joseph Warren, who was killed at the Battle of Bunker Hill in 1775. (NCP1331)The museum hold artifacts relating to several U.S. Presidents -- Cleveland, Eisenhower, Garfield, Grant, Kennedy, Lincoln, McKinley, Teddy Roosevelt -- and their assassins -Booth and Guiteau -- as well as other famous Americans, such as World War II Admiral Chester Nimitz, World War I Gen. John Pershing, Revolutionary War hero Paul Revere, and Civil War Maj. Gen. Daniel E. Sickles. There are also artifacts relating to Robert Hooke and Pancho Villa, and animals such as space monkey Able and space chimp Ham. Some of these artifacts were acquired during the 19th century when the laws governing the collection of such remains were different. More modern artifacts came from the Armed Forces Institute of Pathology.

Researchers can make an appointment to visit the other material, which is in storage, and also to review the files associated with these specimens.
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43. Do you have 20th-century gangster John Dillinger's penis in the collection?

No. There was a photograph published after Dillinger was killed that showed him lying on an autopsy table. He's naked except for a towel on his midsection and it seems to indicate he has a very large penis. Because the museum was the only place showing body parts people thought they must have cut it off and sent it to us. We don't have it, but we get a lot of phone calls asking if we do.
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44. Do you have Benito Mussolini's brain in the museum's collection?

No. After the Allied occupation of southern Italy in 1943 the King ordered Mussolini to be arrested in order to sign the armistice. Imprisoned and then liberated by the Germans, Mussolini lived in northern Italy until his re-capture and eventual execution on April 28, 1945 by military forces of the Italian Resistance. Next day, his corpse and those of his mistress and henchmen were hanged in public view in the Piazzale Loreto in Milan. After Mussolini's body was first autopsied in May 1945 the Institute of Legal Medicine at the University of Milan sent two small vials containing brain tissue material and two sets of microslides to the Army Institute of Pathology (AIP), the predecessor of the Armed Forces Institute of Pathology, which operates the National Museum of Health and Medicine (formerly the Army Medical Museum). An analysis of the material at the time by Maj. Webb Haymaker, an AIP neuropathologist, revealed no brain disease or abnormalities. According to a letter written in 1975 by Col. James Hansen, the AFIP's director, "For a number of years this information was kept classified for political reasons. However, in 1966 the presence of this material at the AFIP received a small amount of newspaper publicity." This resulted in Mussolini's widow requesting the return of her husband's brain material and in March 1966 it was given to the U.S. State Department to return to her in Italy. Mussolini's final resting place is in his birthplace in Predappio, where his tomb is topped with a marble bust and a box that is said to contain the brain material. Other than Col. Hansen's letter, no other Mussolini artifacts remain in the museum's collection.
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45. Does the museum have specimens from the famous Battle of the Little Big Horn, otherwise known as Custer's Last Stand?

Yes, the museum holds two anatomical specimens and one historical artifact from the Battle of Little Big Horn.

One of the anatomical specimens is the hip bone of Frank Braun, a soldier under Captain Benteen, who was in command of companies "D", "H", and "K" and had been directed by Gen. Custer of the 7th U.S. Cavalry to explore the area in a southwesterly direction and to "pitch into anything that he might find." Braun was shot in the hip, and the bone shows the ensuing infection that eventually killed him. The other anatomical specimen is a large portion of the cranium (without the face) that was picked up in a ravine on the site of battlefield several years after the battle. From an examination by the museum's anatomical collections curator, the skull is most likely that of a U.S. soldier. It shows three interesting pieces of evidence: a gunshot wound (with entrance and exit wounds), several cut marks, and the tip of an iron blade embedded in the skull.

The historical artifact recovered from the site of the Battle of Little Big Horn is a pocket surgical kit that belonged to U.S. Army Assistant Surgeon George Edwin Lord, a doctor who served as the regimental surgeon for Custer. According to museum records, after the Battle of the Little Big Horn the surgical kit was sold by a Native American to a trader, who turned it over to a medical purveyor, who in turn transferred it to the Army Medical Museum (today's National Museum of Health and Medicine). At that time the kit was missing all of its original tools except for a single probe. The kit is currently on loan by the museum to a consortium of historical societies for a traveling exhibition entitled, "Beyond Lewis and Clark, the Army Explores the West" that will be on display to Dec., 31, 2005 in various locations across the country. Also in the museum's collection is Lord's dress blue Army coat, chapeau (Army hat), and medical department sword, which were given to the museum in 1888 by his family, but Lord was not wearing these items on June 25, 1876 at the Battle of Little Big Horn.
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46. Does the museum have remains from World War II concentration camps?

Yes. The museum holds five pieces of tattooed human skin that were obtained from the pathology laboratory at the Buchenwald concentration camp when it was liberated. The records concerning the specimens are thorough, and testing of three specimens confirms they are human, although we cannot say with certainty if they were obtained from prisoners or if they existed before the war. (Because of religious restrictions on tattooing, we believe it is unlikely that the specimens were taken from Jewish prisoners.) A memorandum of May 18, 1945 from the Office of the Chief Surgeon, U.S. Army, to the War Crimes Commission, expresses the interest of the Army Medical Museum/Army Institute of Pathology (today's National Museum of Health and Medicine of the Armed Forces Institute of Pathology) to receive "dried human skin" from Buchenwald after it is no longer needed by the commission in the Nazi war crimes trials. Also in the museum's collection is a wax-impregnated half-head preparation. The provenance information on this specimen is less certain, but it may have come from Dachau. There has been extensive media coverage of the specimens; most notably when The Washington Post printed an 80-paragraph story with five photos on June 24, 2001 and when FOX 5 TV station WTTG in Washington, D.C. broadcast a 9-minute program on Nov. 18, 2003 called "Remains of the Holocaust" that included footage of the museum's specimens. A transcript of the Fox 5 program can be seen by clicking here.
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47. Does the museum have the mummy of Andy "Dutch" Kapler?

Andy "Dutch" Kapler's mummy.
Andy "Dutch" Kapler's mummy.

Yes. Andy "Dutch" Kapler (alias Harry Harpert, William Martin, William Hoffman, and Harry Hartman) was a member of the Losteiner Gang that robbed the First National Bank of Crafton, Pa. on Jan. 29, 1922 in which a cashier was killed before they made their getaway in a stolen car. Planning to flee to Indianapolis, the gang first took a detour to the Stark County Workhouse in Canton, Ohio, intending to free a fellow gang member who had been caught with burglary tools and arrested some time earlier. Acting on a tip, police and an armed posse of National Guardsmen, American Legion members, deputy sheriffs and civilians caught up to the gang on May 4, 1922 at a farm 5 miles north of Canton and in a one-hour gun battle killed two and seriously wounded two, including Kapler, who died on May 30, 1922. According to reports, after his death Kapler's body was taken to the local undertaker, who embalmed the body. The body was never claimed by Kapler's family, and was eventually sold by the funeral home to a San Francisco-based side show entrepreneur who charged customers to see it on display. Records show that a Virginia man, Lawrence K. Mooney, had Kapler's mummy in the late 1970s and sold it in the early 1990s for an undisclosed amount to a Maryland collector, Robert L. White. Upon White's death, the executor of his estate arranged for the transfer of the mummy to the museum in December 2003. The museum was interested in the specimen not because of who it was, but because it is an example of early 20th century preservation by embalming. While there are currently no plans to exhibit the specimen, it is now part of the museum's small, but important number of specimens that were collected to document preservation of human tissue. (The head and torso of a Kentucky girl embalmed with an arsenic solution is currently on display.)The specimen is stored in a wooden crate in the museum's warehouse.

48. How many accessions does the museum have each year?

In 2005 there were 43 accessions of unique artifacts, specimens, and archival material that expanded the museum's holdings by several hundred items. Of these, 34 went to the museum's Historical Collections, 4 to the Otis Historical Archives, 3 jointly to the Historical Collections and Otis Historical Archives; 1 to the Neuroanatomical Collections, and 1 to the Anatomical Collections.

Among the more interesting items acquired were:

  •  Dr. Archibald Louis Miller The museum received nearly 200 lantern slides from the family of a World War I era U.S. Army dentist who gathered them while serving in France and in the United States. They graphically depict patients who have received facial reconstruction surgery. Dr. Archibald Louis Miller, a graduate of George Washington College who joined the Army as a lieutenant in May 1917, was promoted to major in early 1918 and sent to Base Hospital No. 6 in France. While overseas he was assigned to the Maxillo Facial Services of the American Expeditionary Force. The collection was passed from Miller to his daughter, Evelyn Louise Miller Peterson. After her death in 2003 her three surviving sons decided that because their grandfather had served at Walter Reed Hospital they would donate the collection to the National Museum of Health and Medicine, because today it is located at Walter Reed Army Medical Center. More about Miller's lantern slides.
  • National History DayRobert Hamilton, 14, of Topeka, Kan., one of the more than 2,200 student finalists in the annual National History Day (NHD) program, donated an historic artifact that he used in his project to the National Museum of Health and Medicine. Hamilton surprised museum staff by donating the brick that he used in his performance piece entitled, “Dr. Samuel J. Crumbine: Communicating Public Health Reform in Kansas,” a 9-minute monologue explaining the achievements and progress Dr. Crumbine made in Kansas in the early 1900s. The brick, once a part of an Erie, Kan. sidewalk, is engraved with the words “Don’t Spit on Sidewalk” and memorializes Dr. Crumbine’s historic campaign for public health reform. More about the brick.
  • Medical Equipment The National Museum of Health and Medicine received more than two dozen original pieces of medical equipment that were used to provide occupational health treatment in the hospital of the Pittsburgh plant of the General Motors (GM) Corporation in West Mifflin, Pa. Built in 1950 as part of the Fisher Body Division of General Motors, the Pittsburgh Plant fabricates sheet metal components for current and past model GM cars and trucks. The facility currently employs more than 650 people. The on-site medical facilities have provided employees with treatment for injuries as well as being a resource for wellness initiatives since the plant opened. More about the medical equipment.

In 2004 there were 57 accessions of unique artifacts, specimens, and archival material that expanded the museum's holdings by several hundred items. Of these, 43 went to the museum's Historical Collections, 7 to the Otis Historical Archives, 2 jointly to the Historical Collections and Otis Historical Archives; 2 to the Neuroanatomical Collections, 2 to the Anatomical Collections, and 1 to the Human Developmental Anatomy Center.

Among the more interesting items acquired were:

  • The museum received a U.S. Army map case used in France during World War I by U.S. Army Maj. Charles G. Mixter, when he was an assistant surgeon for the U.S. Army's Fourth Corps under the command of Gen. Pershing. The case, 9 inches high and 5 ½ inches long when closed, opens to three panels 9 inches high and 16 ½ inches wide. The artifact was donated by Dr. Charles G. Mixter III of Exeter, N.H., a general surgeon on staff at Exeter Hospital known as a leader in the development of minimally invasive laparoscopic surgery. More about Mixter’s map case.
  • The museum acquired the professional and personal effects of two very different physicians that practiced in America during the 20th century -- the Rabkin collection and the Senseman collection. The Rabkin collection includes more than 200 objects related to cardiology and internal medicine from the last half of the 20th century, while the Senseman collection consists of hundreds of items related to the practice of homeopathic medicine during the early and middle part of the 20th century. More about the Rabkin and Senseman collections.
  • The museum acquired two clotting agents -- QuikClot and the HemCon bandage – that utilize technological advances to help stop severe bleeding in serious injuries and are being used by the United States military to treat soldiers in Iraq and Afghanistan. QuikClot, manufactured by Z-Medica, a pharmaceutical company based in Newington, Conn., is unlike many traditional clotting agents. Instead of adding clotting factors to a wound in order to help it clot, this granulated mineral compound can be poured directly into a wound, where it removes liquid substances, causing a clot to form almost immediately. The company says that because QuikClot "contains no biological or botanical substances," it does not cause allergic reactions. The second clotting agent acquired by the museum, the HemCon bandage, differs from QuikClot because it is a biological, rather than mineral, compound. The bandage is made of "chitosan," a 4-inch by 4-inch bandage that costs approximately $90 each. HemCon, Inc. says that this bandage does not cause an allergic reaction, even in people with shellfish allergies, because chitosan does not contain the proteins necessary to cause a reaction. More about QuikClot and the HemCon.

In 2003 there were 66 accessions of unique artifacts, specimens, and archival material that expanded the museum's holdings by several hundred items. Of these, 46 went to the museum's Historical Collections, 12 to the Otis Historical Archives, 4 to the Neuroanatomical Collections, 2 to the Anatomical Collections, and 2 to the Human Developmental Anatomy Center.

Among the more interesting items acquired were:

  • Dr. Manuel del Cerro of Pittsford, N.Y., an amateur photographer who began collecting microscopes 30 years before, donated an all-brass, 19th- century Bausch & Lomb petrological microscope to the museum. It is the first of 500 in his collection that he intends to donate to the museum, together with an extensive library and ephemera pertaining to the microscope, its history, and use. More about Dr. del Cerro's donation.
  • The museum acquired two wheelchairs to add to its collection. Dr. Waldo R. Fisher, a retired endocrinologist living in Gainesville, Fla., donated a wheelchair thought to date from the early 19th century that he acquired in 1953 after his first year of medical school at the University of Pennsylvania. The second wheelchair, dating from the early 20th century, was made for the use of Frances Z. Simmons, who died in 2003 at the age 78. More about the wheelchairs.
  • The museum received slides, photographs and military records from the estate of U.S. Army Maj. John J. Lucas, D.D.S., who died in 1993 at the age of 82. He served as a dentist aboard the Shamrock, a U.S. Army hospital ship, for nearly a full year during World War II. More about this donation.

In 2002 there were 43 accessions of unique artifacts, specimens, and archival material that expanded the museum's holdings by several hundred items. Of these, 29 went to the museum's Historical Collections, 7 to the Otis Historical Archives, 3 to the Neuroanatomical Collections, 2 to the Anatomical Collections, and 2 to the Human Developmental Anatomy Center.

Among the more interesting items acquired were:

  • A group of scientists led by Lt. Col. Ted Hadfield, chief of the Armed Forces Institute of Pathology's Division of Microbiology, worked as part of a research team to develop a detection device that could monitor the air and alert battlefield soldiers to biological warfare. What they developed was the Biological Aerosol Warning System (BAWS), one of which was donated to the museum. More about the BAWS.
  • Dr. James B. McCormick, a physician and inventor, donated a collection of his inventions to the museum. McCormick is from the Lincolnwood, Ill. suburb of Chicago, and holds 41 patents for laboratory and clinical science equipment. More about Dr. McCormick's donation.
  • When a letter sent to Sen. Majority Leader Tom Daschle's office in October 2001 was found to contain anthrax, worries of bioterrorism concerned many. As a precautionary measure Senate staffers, postal employees, and others believed to be exposed to the bacteria were tested for inhalation anthrax and prescribed Ciprofloxacin, Doxycycline, or Penicillin. The museum added a bottle of each of these antibiotics to its historical collections. More about the antibiotics.

In 2001 there were 39 accessions; 34 went to the museum's Historical Collections, 3 to the Otis Historical Archives, and 2 to the Human Developmental Anatomy Center.

Among the more interesting items acquired were:

  • A microscope from the FBI that it used for crime analysis during some of its most sensational investigations during the last 30 years. More about the FBI microscope.
  • R2-D2 and C-3PO from "Star Wars," The Robot from "Lost in Space," and Johnny 5 from "Short Circuit" are all famous robots, and now the National Museum of Health and Medicine has its own. A HelpMate mobile robotic courier was donated to the museum by the Walter Reed Army Medical Center. Named after Walter Reed's wife, Emilie, the robot stands 4 feet, 6 inches tall and weighs approximately 600 pounds. More about Emilie.
  • The National Museum of Health and Medicine has acquired the human development collection of the George Washington School of Medicine and Health Sciences in Washington, D.C. The collection consists of approximately 50 specimens ranging in age from 10 weeks to 6 months and was added to the holdings of the museum's Human Developmental Anatomy Center. More about the George Washington School of Medicine Collection.
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49. On the average, how many objects receive conservation treatment each year?

Treatments are prioritized depending upon the condition of the object and the loan or exhibition schedule and are contracted out. Refurbishing of the fluid-preserved collection is performed in-house and is prioritized according to exhibition needs.
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50. Who can see the collections in storage?

The museum's collections are open for research to qualified researchers. An appointment can be scheduled 8 a.m. to 4 p.m. Monday-Friday (the collections are not open to researchers on the weekends.) Some reference services can be provided by telephone and mail. The museum's web site can be used as a beginning point to search the collections by referring to "Our Guide to the Collections". If the public has a legitimate research question, they may be allowed access to the collection for research purposes if coordinated with the museum's staff in advance.
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51. How many objects from the museum's collections are on outgoing loans?

In 2005 there were 6 loans, of 5 artifacts from the museum’s Historical Collections and 1 object from the Otis Historical Archives.

In 2004 there were 2 loans, of 4 artifacts from the museum’s Historical Collections.

In 2003 there were 4 loans, of 20 artifacts from the museum's Historical Collections.

In 2002 there were 6 loans, of 3 artifacts from the museum's Historical Collections and 3 from the museum's Human Developmental Anatomy Center. In 2001 there were 16 loans, of 7 artifacts from the museum's Anatomical Collections and 3 from the museum's Human Developmental Anatomy Center.

See more about the museum's recent loans.
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52. Is there a collection of fetal anomalies (historically known as fetal monsters) available for public viewing?

Presently, the museum has an exhibit running indefinitely, "From a Single Cell…Human Reproduction, Growth and Development," which traces the growth and development of the embryo and fetus with specimens showing the stages of human development before and after birth. Currently on display within this exhibit are actual fluid-preserved specimens of fetal anomalies that have been on display from time to time since the museum opened in 1862.
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53. Many people wonder whether Abraham Lincoln had Marfan's Syndrome. Does the museum permit testing of its artifacts, such as Lincoln's hair and skull fragments?

The DNA test to determine whether or not the chromosomal marker for Marfan's Syndrome can be detected would require the full destruction of the Lincoln biological materials. Multiple panels have determined that the greater public good is served by not destroying this non-renewable national historic treasure.
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54. How can I gain access to my old medical records from when I served in the armed forces or find out any specific information about the military service record and duty of my relative?

You can obtain information for free from the National Personnel Records Center, Military Personnel Records (NPRC-MPR), which has custody of the official individual personnel, health, and medical records for the commissioned officers and enlisted personnel of discharged and deceased veterans of all services during the 20th century. Information from the records is made available upon written request (with signature and date) mailed to National Personnel Records Center, Military Personnel Records, 9700 Page Ave., St. Louis, MO 63132-5100. More information is available at the NPRC web site: www.nara.gov/regional/mpr.html.
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55. Are images from the museum's collections available, and how do I get permission to use them?

Images of items in the museum's collection are available on the Galleries pages of the museum's web site for downloading for reproduction. If you wish to use an image, please contact us at nmhminfo@afip.osd.mil for specific instructions.

Images of interest might also be available from the Defense Visual Information Center at www.dodmedia.osd.mil or the National Archives at www.archives.gov/research.
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56. Are the collections open to researchers?

Yes. Appointments should be scheduled for visits during the hours of 8 a.m. - 4 p.m. Monday to Friday. The collections are not available for researchers on weekends.
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57. How can I obtain a copy of the book that describes the contents of the Billings Microscope collection?

While the Billings Microscope Catalogue is out of print, and no longer available from us, it can be accessed on our web site here.
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58. How can I obtain a copy of the museum's 2004 calendar that features microscopes?

To obtain a hardcopy of the calendar, please email us your name, address, and affiliation to nmhminfo@afip.osd.mil. Because supplies are limited, requests for multiple copies cannot be accomodated. Calendars are distributed on a first-come, first-served basis. The calendar can be accessed online here.
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59. Can the museum provide information to me about what I think are old medical instruments and equipment I purchased for display in my home as antiques?

The museum is unable to provide information to the public about their privately owned medical artifacts unless the item is being offered as a donation to the museum's collection. In that case, a thorough description of the item and a clear photograph should be e-mailed to nmhminfo@afip.osd.mil. Generally, anything being offered for sale to the public at a modest price probably indicates that the item is not rare. A private web site at www.collectmedicalantiques.com, with absolutely no connection to this museum, may be of interest to collectors of medical antiques. Also, keep in mind that manuals or correspondence may be just as valuable if not more so that the actual instruments, so don't throw them away.
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60. I'd like to donate my body to your museum when I pass away. How can I do this?

The National Museum of Health and Medicine does not have a body donation program. However, if you are interested in donating your body to a museum's skeletal collections, there are two other institutions that can accept your bequest. The National Museum of Natural History/Smithsonian Institution does accept body donations. As part of their protocol, your body will first go the "Body Farm" at the University of Tennessee for decomposition studies. Upon the conclusion of this study, your skeleton will become part of the permanent collections of the Smithsonian. The contact person at the Smithsonian is Dr. David R. Hunt, and he can be reached at hunt.david@nmnh.si.edu. The Maxwell Museum of Anthropology at the University of New Mexico also has a body donation program. The contact at the Maxwell is Dr. Heather Edgar, and she can be reach at hjhedgar@unm.edu or (505) 277-3535. They also have a web page devoted to their body donation program http://www.unm.edu/~osteolab/faq.html. If you are interested in donating your body to be used in teaching medical students, you can contact your State Anatomy Board.
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Civil War

61. What is the "Medical and Surgical History of the War of the Rebellion" and why is it important?

It is a compilation of information gathered by the Army Medical Museum (the original name of the National Museum of Health and Medicine) documenting illness and traumatic injuries suffered by the Union soldiers during the Civil War. It contains case histories on nearly all the current 2,000 skeletal and fluid-preserved specimens in the museum's anatomical collections. One volume of the original six-volume set, published by the Government Printing Office, is on display in the museum. Copies of the original may be found at rare book dealers. The original has been reprinted as a 15-volume set with a new three-volume index called the "The Medical and Surgical History of the Civil War" by Broadfoot Publishing Co., 1907 Buena Vista Circle, Wilmington, NC 28411-7892. 910-686-4816. www.broadfootpublishing.com.
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62. Was every wounded or killed soldier given a case number, photographed, and documented in the "Medical and Surgical History of the War of the Rebellion" or were only a certain number of soldiers listed, and were they from both the Union and the Confederacy?

While more than 200,000 soldiers were wounded in the Civil War, thousands were killed in action and were buried with no case history on them. Survivors sent for treatment to the Division level and above were included in the "Medical and Surgical History of the War of the Rebellion," assuming that the physician actually reported the case. Despite their best efforts, not all Union cases were included. Each specimen in the museum's collections from the Civil War has a unique number and a case history, which were used to compile the "Medical and Surgical History of the War of the Rebellion." Not all soldiers who had specimens in the collection were photographed, but many of the specimens themselves were photographed. "The Medical and Surgical History of the War of the Rebellion" does contain information from Union and Confederate soldiers. As might be expected, the Union cases far outnumber the Confederate. Confederates are included because they were treated by Union surgeons, and those surgeons saw that those cases, just like any other medical case, were contributed.
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63. How were dead soldiers identified during the Civil War?

There was only a very basic system to identify dead soldiers during the Civil War, mostly relying on identifications made by fellow soldiers. Because the soldiers had uniforms (blue for Yankees, grey for Confederates) and battles were usually conclusive, soldiers were identified by whatever uniform they were wearing and were usually assigned to their respective army. There were also truces to remove the dead, a practice that faded in the 20th century. Soldiers killed on the battlefield were often buried on the battlefield, and whatever information available about them was recorded along with the burial site. Sometimes the bodies were later moved. But often, because many soldiers wore no uniform or carried no identification, they were marked "unknown" when buried. The book "Soldier Dead," by author Michael Sledge, goes into more detail. Information about burial of the dead following the Battle of Gettysburg can be found on the American Experience website at http://home.ptd.net/~nikki/gburgcem.htm. There is also information about the soldiers who died on the Fredericksburg Battlefield on the National Park Service web site at http://www.nps.gov/frsp/natcem.htm. Soldiers who died in hospitals were more likely to be identified than those found on the battlefield. Army Regulations of 1913 made identification tags mandatory, and by 1917, all combat soldiers wore aluminum discs on chains around their necks. By World War II, the circular disc was replaced by the oblong shape familiar to us today, generally referred to as "dog tags".
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64. Were most of the soldiers photographed naked, to fully show their wounds, and when the photos were displayed back in the late 1870s, were they doctored to be covered with fig leaves painted on?

Not all soldiers were photographed naked. Those that had injuries to the thigh/buttocks area were photographed naked in order to show the extent of the injury and/or surgery. The leaves were painted on the negatives that were prepared for the 1876 Centennial Exposition- a decidedly public event, and one in which visitors might be offended by Civil War soldiers' genitalia.
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65. Where can I purchase replicas of Civil War era medical tools such as an amputation knife, bleeding bowl, stethoscope, ear trumpet, inhaler, and hospital tray?

If you go to www.civilwarmed.org, which is the web site for National Museum of Civil War Medicine, you can purchase reproductions of the items you are looking for. Once you are in the site, click on to Museum Shop, then Reproductions, then Medical Equipment. Although the National Museum of Health and Medicine does not sell reproductions of Civil War medical equipment, the museum's gift shop sells a wide variety of health and medicine-related products, including adult and children's apparel, books, posters, collectibles, and jewelry.
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